Naturally enhances skin tones.
Enhances dark skin tones, sunsets, ballroom sets.
Warmer than other straw colours. A good sunlight effect when used in contrast with ambers and blues.
A warm amber light. Good for effects such as candlelight and fire.
Good for skin tones and creating a moody lighting effect.
Great for pantomimes, ballroom sets and fire effects.
A vibrant red, good for cyclorama lighting.
Good for fire effects, musicals and cycloramas.
A strong cheerful glow, good for cycloramas and pantomimes.
An excellent backlight that creates a new dimension.
Good for morning skin tones and night skies. Great for cyclorama lights.
A good colour mixing blue. Great for cyclorama lighting.
Highlighting for forest effects.
A sunlight wash - use with gobos, disco and dark skin tones.
Sunlight and window effect - pleasant in acting areas.
A warm yellow colour. Great for candlelight or warm bright sunlight effects.
Strong red effect. Good with cyclorama lighting.
Warm tint wash. Dark flesh tones and softer skin tones.
Very strong - used carefully for small areas on set.
A pleasing effect on set Good for cyclorama and backlighting (e.g. ice rinks, galas, etc).
A pleasing effect for theatrical lighting.
Good for cool washes. Adds a pale green tint. Great for emulating icy weather on stage.
A strong night effect.
Good for mood effects created by backlighting and side lighting. Creates great contrast.
A pleasing effect for theatrical lighting.
Good for cycloramas and backlighting.
Good for cycloramas, set lighting and discos.
Created for use as backlighting and side lighting. Great for musicals.
Deep moonlight. Great for colour mixing.
Great for emulating a sunset. Also good for side lighting and cyclorama lighting.
A great fire effect.
Great for pantomimes and ballroom sets. Also enhances dark skin tones in follow spots.
Good for moonlight and musical / romantic scenes. Enhances skin tones.
Good for set lighting and cyclorama lighting.
Good for sunrise, sunset and lamplight effects.
Used with interior lighting to enhance skin tones.
Warms light and reduces the intensity.
Great for dance sequences (useful for softening white costumes without affecting skin tones).
A great fire effect.
A pure medium blue. Good for skies, moonlight and dusk effects.
Great for moonlight effect.
Great for set lighting, discos and theatres.
A floodlit warm wash. Great for underwater scenes and ballet.
Used for backlighting and general areas. Great for sunrise effect and warming skin tones.
A pleasing effect for theatrical lighting and backlighting.
Looks like black light when used with a fluorescent source. Great effect colour. Very saturated.
Good for theatre and television effect lighting as well as cycloramas.
Good for moonlight effect and cycloramas.
A cool highlight leaning towards yellow-green; good for use on mid range skin tones, avoid use on very dark and very pale skin tones.
Good for musical and pantomime key lighting.
Good for musicals.
Converts tungsten (3200K) to photographic daylight (5700K).
Converts daylight (6500K) to tungsten light (4600K).
Converts daylight (6500K) to tungsten (3200K) and reduces light 2 stops.
Used for soft light effects with the addition of 0.6 Neutral Density.
A medium diffusion used for soft light effects. Manufactured on a tough Polyester base in a range of seven strengths.
A light frost effect that softens edges.
Converts tungsten to daylight.
Converts daylight (6500K) to tungsten (2507K).
Converts daylight (6500K) to tungsten (2147K).
Used for underwater scenes, cycloramas and backlighting.
A deep green for sinister forest scenes, cycloramas and backlighting.
A cold blue, good for cool atmospheric mood setting.
Good for daylight effects.
Great for pale moonlight and seasonal mood lighting.
Converts 6500K to 4300K - daylight to tungsten light with a yellow bias.
The strongest of the NCB series for dramatic 'white' face and key light where warmer tones than CTB are required.
Designed for period key light and modern urban horizons.
A fresh, light and airy summer green. 'Under tree canopy' light quality without 'pantomime countryside'.
A rich, sultry blue. Like Congo Blue, but greater light transmission so maintenance friendly - fewer gel changes.
At full power produces dazzling grey light with slight red bias, when dimmed warms up quickly to a useful brown.
Pleasant white light at full power, dims down to a warm colour and at low intensities has more yellow than red.
Used on tungsten to create a Low Pressure Sodium look.
In-between 170 Deep Lavender and 345 Fuchsia Pink, and is good for backlighting and romantic atmospheres.
For use as a warmer tint without turning yellow and to recreate the colour of fluorescent lighting.
A cool industrial blue.
Cold/grey HMI effect from a tungsten source. Will also help blend the light when using both tungsten and HMI sources.
A new deeper version of Alice Blue.
A romantic blue to produce a night effect.
201 with frost to soften the beam of profile units
Smoothes PAR or flood washes of large areas. Useful for houselight and good for entrances from natural light.
This is a pure blue, not too green and not too lavender, yet still feels warm for a blue with an early morning feel.
Cool wash, useful for highlights.
A good green for creating mystery and suspense.
A powerful green with depth, for music or light entertainment.
Spooky when used in haze. Removes some red and blue. Works best with daylight bulbs. Sodium lamp effect.
Dirtier than 156 Chocolate, good for skin tones. Dims well and doesn't go pink at low light levels.
Correct a daylight source to an off white tungsten source. Wwith tungsten provides a dingy smoky bar effect.
To give a murky, dirty feel to tungsten. A darker, less pink chocolate.
A smoky pink. Good for tungsten on skin tones.
Adds warmth, sunlight.
Adds warmth, bright sunlight.
Useful for producing a strong sunlight effect.
A vivid rust colour effect.
Deep sunset. Useful on dark skin tones.
Between 778 Millennium Gold and 135 Deep Golden Amber, but less red. A strong colour good for backlighting.
Nice deep full red. Rose leaf colour.
For a deep saturated red effect. Used when a strong vivid red effect is required.
Used in musical performances for general colour washes and set lighting.